Google Doodle Celebrates Lucy Maud Montgomery on her 141st Birthday

Today's Google Doodle celebrates L.M. Montgomery's 141st birthday with three animated doodles by Olivia When featuring scenes from Montgomery's beloved story Anne of Green Gables.

In one Google Doodle, Anne Shirley and Diana Barry are laying in a field of field of flowers. Anne is writing, while Diana is reading. The pair are wearing flower crowns in their hair.

In a second Google Doodle, Anne Shirley turns green when she tastes the layered cake she prepared for Mrs. Allen's visit to the Cuthbert home. Anne accidentally flavored her cake with anodyne liniment, thinking it was vanilla. Marilla had poured her liniment into an old vanilla bottle and hadn't relabeled the bottle.



A third Google Doodle pictures show scenes on the Lake of Shining Waters, with Anne walking to school, Anne and Diana running together, and Gilbert Blythe saving Anne after she played Elaine, in the chapter titled, "An Unfortunate Lily Maid."



Google posted the following info about the L.M. Montgomery Google Doodles:

Lucy Maud Montgomery wrote her first novel in 1905. It was rejected by every single publishing house that received it. A few years later, Montgomery tried shopping it again and succeeded. Her story about the adventures of a red-headed girl in Prince Edward Island became a smash hit. That novel ultimately became one of Canada’s most all-time popular books, being translated into around 20 languages and selling more than 50 million copies to date. Anne of Green Gables and its many sequels made Montgomery a wildly successful author and turned PEI into a destination for the book’s thousands of fans.

One of Canada’s most celebrated writers, Montgomery also wrote hundreds of poems and short stories as well as a number of novels apart from the Anne series. She was the first Canadian woman to be made a member of the British Royal Society of Arts and was also appointed an Officer of the Order of the British Empire. Today, on what would have been her 141st birthday, we salute Lucy Maud Montgomery with a Doodle that pays tribute to her most iconic book.

Doodler Olivia When, herself an Anne of Green Gables fan, wanted to honor Montgomery by illustrating several scenes from the beloved novel, including a particularly memorable one in which Anne mistakenly bakes a cake with liniment (a medicated oil) instead of vanilla. Here’s to Anne with an “e” Shirley and her revered creator, Lucy Maud Montgomery.

Created November 30, 2015. Last updated September 4, 2023.
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L.M. Montgomery's Rainbow Valleys: The Ontario Years, 1911-1942

L.M. Montgomery's Rainbow Valleys: The Ontario Years, 1911-1942 was published by McGill-Queen’s University Press in October 2015. This volume of scholarship examines L.M. Montgomery's life and work during her decades living in Ontario, Canada. The book was edited by Rita Bode and Lesley D. Clement. There are contributions by Elizabeth Waterston, Mary Beth Cavert, Margaret Steffler, Laura M. Robinson, Caroline E. Jones, William V. Thompson, Melanie J. Fishbane, Katherine Cameron, Emily Woster, Natalie Forest, E. Holly Pike, Linda Rodenburg, Kate Sutherland, Lesley D. Clement, and Kate Macdonald Butler.

Here is the description of the volume from McGill-Queen’s University Press:

Lucy Maud Montgomery (1874-1942) and Anne of Green Gables will always be associated with Prince Edward Island, Montgomery's childhood home and the setting of her most famous novels. Yet, after marrying Rev. Ewan Macdonald in 1911, she lived in Ontario for three decades. There she became a mother of two sons, fulfilled the duties of a minister's wife, advocated for copyright protection and recognition of Canadian literature, wrote prolifically, and reached a global readership that has never waned.

Engaging with discussions on both her life and her fiction, L.M. Montgomery's Rainbow Valleys explores the joys, sorrows, and literature that emerged from her transformative years in Ontario. While this time brought Montgomery much pleasure and acclaim, it was also challenged and complicated by a sense of displacement and the need to self-fashion and self-dramatize as she struggled to align her private self with her public persona. Written by scholars from various fields and including a contribution by Montgomery's granddaughter, this volume covers topics such as war, religion, women's lives, friendships, loss, and grief, focusing on a range of related themes to explore Montgomery's varied states of mind.

An in-depth study of one of Canada's most internationally acclaimed authors, L.M. Montgomery's Rainbow Valleys shows how she recreated herself as an Ontario writer and adapted to the rapidly changing world of the twentieth century.

Contributors include Elizabeth Waterston (Guelph), Mary Beth Cavert (Independent), Margaret Steffler (Trent), Laura M. Robinson (Royal Military College), Caroline E. Jones (Austin Community College), William V. Thompson (Grant MacEwan University), Melanie J. Fishbane (Humber College), Katherine Cameron (Concordia University College), Emily Woster (Minnesota-Duluth), Natalie Forest (York), E. Holly Pike (Memorial-Grenfell), Linda Rodenburg (Lakehead-Orillia), Kate Sutherland (York), Lesley D. Clement (Lakehead-Orillia), Kate Macdonald Butler (Heirs of L.M. Montgomery Inc.).

Reviews

“With its interest in placing Montgomery’s work in new cultural and historical contexts, L.M. Montgomery’s Rainbow Valleys expands our understanding of this canonical Canadian author. Although there is no disputing that PEI had an enduring impact on Montgomery's literary sensibility, Ontario played its part too, as the essays in this collection abundantly reveal.” Janice Fiamengo, University of Ottawa

“Coherent and well-structured, L.M. Montgomery’s Rainbow Valleys breaks new ground with its singular focus on the Ontario years. It will unquestionably command the attention of an academic audience, but is also accessible to the general reader who has an interest in Montgomery or in Canadian culture.” Joy Alexander, Queen’s University, Belfast

“L.M. Montgomery’s Rainbow Valleys is important because it resists Montgomery’s own obsessive returns to Prince Edward Island, as well as those of her readers and critics. The collection remains grounded in her Ontario experience, demonstrating its influence on all the writing she did in the second half of her life.” The Times Literary Supplement

The book includes the following content and essays:

Introduction by Rita Bode and Lesley D. Clement

Prologue

1. Leaskdale: L.M. Montgomery’s Rainbow Valley by Elizabeth Waterston

A New Home in Leaskdale: War and Religion

2. “To the Memory of”: Leaskdale and Loss in the Great War by Mary Beth Cavert
3. “Being a Christian” and a Presbyterian in Leaskdale by Margaret Steffler

The Changing World of Women: Mother, Daughter, Friend

4. “A Gift for Friendship”: Revolutionary Friendship in Anne of the Island and The Blue Castle by Laura M. Robinson
5. The New Mother at Home: Montgomery’s Literary Explorations of Motherhood by Caroline E. Jones

Shadows in Rainbow Valley: Loss and Grief

6. The Shadow on the House of Dreams: Montgomery’s Re-Visioning of Anne by William V. Thompson
7. “My Pen Shall Heal, Not Hurt”: Writing as Therapy in Rilla of Ingleside and The Blythes Are Quoted by Melanie J. Fishbane

Interlude

L.M.M. by Katherine Cameron

A Sense of Place: Reading and Writing

8. Old Years and Old Books: Montgomery’s Ontario Reading and Self-Fashioning by Emily Woster
9. (Re)Locating Montgomery: Prince Edward Island Romance to Southern Ontario Gothic by Natalie Forest

Travels to Muskoka: Commodification and Tourism

10. Propriety and the Proprietary: The Commodification of Health and Nature in The Blue Castle by E. Holly Pike
11. Bala and The Blue Castle: The “Spirit of Muskoka” and the Tourist Gaze by Linda Rodenburg

Life in Toronto: Professional and Cultural Links

12. Advocating for Authors and Battling Critics in Toronto: Montgomery and the Canadian Authors Association by Kate Sutherland
13. Toronto’s Cultural Scene: Tonic or Toxin for a Sagged Soul? by Lesley D. Clement

Epilogue

14. Dear Grandmother Maud on the Road to Heaven by Kate Macdonald Butler

Appendix

Montgomery’s Ontario Legacies: A Community Presence in the Twenty-First Century by Rita Bode and Lesley D. Clement with the assistance of Kristina Eldridge and Chloe Verner


Image credit:
Book cover of L.M. Montgomery's Rainbow Valleys: The Ontario Years, 1911-1942 from McGill-Queen’s University Press.

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Created October 20, 2015. Last updated June 7, 2024.
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Maud of Leaskdale (2011)

Maud of Leaskdale (2011) is a one-woman play by Conrad Boyce about L.M. Montgomery's years living in Leaskdale, Ontario, Canada. Based upon L.M. Montgomery's journals, Maud of Leaskdale is told using Montgomery's own words and is two hours long. Boyce wrote the script by "choosing excerpts from L.M. Montgomery’s journals and shaping the excerpts into a coherent account of her inner and outer life." The play was produced by the Lucy Maud Montgomery Society of Ontario (LMMSO).

Conrad Boyce wrote Maud of Leaskdale with a specific actress in mind to play the title role of Maud—Jennifer Carroll. Happily, Carroll agreed to play the role of Lucy Maud Montgomery. In October 2011, Maud of Leaskdale premiered at the LMMSO International Conference. In the summer of 2012, Carroll performed the play at the Historic Leaskdale Church, where Ewan Macdonald, L.M. Montgomery’s husband, was minister from 1910 to 1926. In 2014, Jennifer Carroll presented the show at the biennial conference held by the L.M. Montgomery Institute at the University of Prince Edward Island. Carroll has continued to portray Maud for more than a decade in Leaskdale where the production has been celebrated.

The play is described as follows:

“Experience the life of Lucy Maud Montgomery during her first 15 years in Ontario (1911-1926), when she became a devoted mother, a world-famous author, and the loyal wife of a Presbyterian Minister. It was a time of simple joys and heart-rending tragedy, brought to life through Montgomery’s own powerful words. Compiled and directed by Conrad Boyce.”

Image Credit:
Maud of Leaskdale poster advertising the play from 2024 from DiscoverUxbridge.ca.

References:
Maud of Leaskdale starring Jennifer Carroll. 2024. Discover Uxbridge. Retrieved from: https://discoveruxbridge.ca/events/event/maud-of-leaskdale-starring-jennifer-carroll/.

MacDonald, Shane. (2016, August 17). Uxbridge’s Jennifer Carroll brings Lucy Maud Montgomery to life in Maud of Leaskdale play. DurhamRegion.com. Retrieved from: https://www.durhamregion.com/things-to-do/uxbridge-s-jennifer-carroll-brings-lucy-maud-montgomery-to-life-in-maud-of-leaskdale-play/article_119e01f2-925c-5f8d-ae21-472b41deff89.html

Pratt, Barb. (2021, August 5). Maud of Leaskdale – Ten Years! The Standard. Retrieved from: https://www.thestandardnewspaper.ca/post/maud-of-leaskdale-ten-years


Created July 15, 2014. Last updated October 21, 2024.
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The Complete Journals of L.M. Montgomery: The PEI Years, 1900-1911

The Complete Journals of L.M. Montgomery: The PEI Years, 1900-1911 edited by Mary Henley Rubio and Elizabeth Hillman Waterston was published by the Oxford University Press in 2013. The unabridged editions of L.M. Montgomery's journals paint a fuller, darker picture of her inner thoughts and moods, her passions, and her literary ambitions. This second volume of L.M. Montgomery's complete journals covers her first major literary success in writing Anne of Green Gables in 1908, followed by Anne of Avonlea, Kilmeny of the Orchard, and The Story Girl.


Here is the description of the volume from the Oxford University Press:

L.M. Montgomery (1874-1942) had begun keeping a private journal before she turned fifteen. From 1918 onward, she had carefully copied out her entries. She intended this detailed life record to be published posthumously. Montgomery's long-hidden version of her early life emerged as the bestselling Selected Journals of L.M. Montgomery, Volumes I-V, first published in 1985. Twenty-five years ago, it seemed prudent to offer a tightly organized book with a strong central narrative, but this decision meant setting aside many entries on her personal tastes, her effusions over landscape, and her increasing bouts of depression.

L.M. Montgomery's record of her life is published now for the first time without abridgement. The Complete Journals of L.M. Montgomery: The P.E.I. Years, 1889-1900 was published in early 2012 to much acclaim. This second book, covering the years 1901 to 1911, continues to provide a more comprehensive portrait of Montgomery's life in PEI than has ever been available before.

This publication covers Montgomery's early adult years, including her work as a newspaper editor in Halifax, Nova Scotia; her publishing career taking flight; the death of her grandmother; and her forthcoming marriage to a local clergyman. It also documents her own reflections on writing, her increasingly problematic mood swings and feelings of isolation, and her changing relationship with the world around her, particularly that of Prince Edward Island.

Available for the first time in paperback, this new edition recreates the format Montgomery herself devised. Over 300 of her photographs, newspaper clippings, postcards, and professional portraits are reproduced, all with Montgomery's original placement and captions.

Review

"The lure of L.M. Montgomery is twofold, the book’s editors suggest, and as pages turn a study emerges of a young Maud Montgomery both exuberant and high-spirited and, at intervals, baffled, gloomy and burdened with despair. It is to her journals that she confides what she later called the “accumulation of woes” she felt shadowed her life, as well as the inspiration she found in nature and in books."
-Nancy Schiefer, The London Free Press (full review)

Image credit:
Book cover of The Complete Journals of L.M. Montgomery: The PEI Years, 1900–1911.

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Created July 29, 2013. Last updated August 22, 2024.
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The Complete Journals of L.M. Montgomery: The PEI Years, 1889-1900

The Complete Journals of L.M. Montgomery: The PEI Years, 1889–1900 edited by Mary Henley Rubio and Elizabeth Hillman Waterston was published by the Oxford University Press in 2012. The unabridged editions of L.M. Montgomery's journals paint a fuller, darker picture of her inner thoughts and moods, her passions, and her literary ambitions.


Here is the description of the volume from the Oxford University Press:

The first edition of The Selected Journals of L.M. Montgomery was published in the 1980s, with fifty percent of the material removed to save space, as well as to reflect a quaint, marketable vision of small-town Canada. The editors were instructed to excise anything that was not upbeat or did not "move the story along." The resulting account of Montgomery's youthful life in Prince Edward Island depicts a fun-loving, simple country girl. The unabridged journal, however, reveals something quite different.

We now know that Montgomery was anything but simple. She was often anxious, bitter, dark, and political, although always able to see herself and her surroundings with a deep ironic - and often comical - twist. The unabridged version shows her using writing as a means of managing her own mood swings, as well as her increasing dependency on journal keeping, and her ambition as a writer. She was also exceedingly interested in men. We see here a more developed portrait of what she herself described as a "very uncomfortable blend" between "the passionate Montgomery blood and the Puritan Macneill conscience." Full details describe the impassioned events during which she describes becoming a "new creature," "born of sorrow ... and hopeless longing."

In addition, this unedited account is a striking visual record, containing 226 of her own photographs placed as she placed them in her journals, as well as newspaper clippings, postcards, and professional portraits, all with her own original captions. New notes and a new introduction give key context to the history, the people, and the culture in the text. A new preface by Michael Bliss draws some unexpected connections.

The full PEI journals tells a fascinating tale of a young woman coming of age in a bygone rural Canada, a tale far thornier and far more compelling than the first selected edition could disclose.

Review

"There have been selected versions of Montgomery’s early personal records but this edition provides a stronger sense of the writer’s dark moods as a young adult, her frequent feelings of loneliness and the proto-feminism that underlies her literary ambitions. Most vividly it expresses Montgomery’s feistiness, a trait that characterizes her most famous character, Anne."
-Jennifer Hunter, Toronto Star (full review)

Image credit:
Book cover of The Complete Journals of L.M. Montgomery: The PEI Years, 1889–1900.

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Created Aug 21, 2012. Last updated August 22, 2024.
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Green Gables: Lucy Maud Montgomery's Favourite Places

Green Gables: Lucy Maud Montgomery's Favourite Places is a book by Deirdre Kessler featuring photography by Alanna Jankov. It was published by Formac Publishing Company in June 2010. The 72-page-long book explores the places L.M. Montgomery cherished on Prince Edward Island.

Here is the book's description:

The landscape of Prince Edward Island set Lucy Maud Montgomery's imagination on fire. This book explores the places where she grew up and discovers the settings of her most famous works of fiction. Green Gables, once the home of Montgomery's relatives, is now furnished and decorated based on descriptions in her most famous novel. Nearby is the author's childhood home--her grandparents' farm--and at New London, her lovingly preserved birthplace. At Park Corner, visitors can enjoy one of her favourite places--Silver Bush, the home of her Campbell cousins. This book offers beautiful contemporary photographs and historical images of the sites. Author Deirdre Kessler provides detailed background on these places, putting them in the context of rural life on Prince Edward Island a century ago.

Image credit:
Cover of Green Gables: Lucy Maud Montgomery's Favourite Places.

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Created October 10, 2010. Last updated October 18, 2024.
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Astroboy and Anne of Green Gables

Today, I read a thoughtful article called "How animé conquered the world" written by S.B. Zulueta, a lecturer-technologist who works in the Animation Department at College Central, Singapore. Published in the Philippine Daily Inquirer, the article discusses key points in the history of animé and mentions the 1979 Anne of Green Gables animé.

In the article, Zulueta describes how TV audiences initially viewed Japanese animation as "crude and corny." These opinions began to change in 1963, when Osamu Tezuka created an animated series featuring his popular manga character Mighty Atom (aka "Astroboy"). Astroboy was the first Japanese animated TV series. Tezuka had a limited budget, so Zulueta explains that he compensated for the lack of drawings and movement by applying a cinematic approach with "interesting layouts and camera movements."

This cinematic approach is Tezuka lasting legacy. During the robot animation fad of the 1970s, others used Tezuka's approach to create animation TV series quickly and cheaply and then sell toys based on the series.

Zulueta writes that, "Only Team Takahata and Miyazaki, later to form Ghibli Studio, tried to buck the system by doing better-quality TV series of Western classics such as "Heidi, Girl of the Alps," and "Anne of Green Gables." When all the other ’70s TV series had faded into obscurity, those Takahata-Miyazaki TV series remain watchable today because of the care that went into them."

According to Zulueta, the rest of the world began to appreciate animé with the release of Katsuhiro Otomo's “Akira” (1988), Mamoru Oshii’s “Ghost in the Shell” (1995), and Hayao Miyazaki’s stunning feature films.

Zulueta describes the two most important factors that have helped animé develop. The first is the strength of the manga industry, which provides source material for many popular animé adaptations for television and film. The second is the ability of animé "to absorb world stories and repackage them as its own. Indeed, the Anne of Green Gables animé is an example of the latter. As Zulueta concludes, "good stories know no borders."

Image Credit:
Drawings of Astroboy and Anne of Green Gables.

Reference:
Zulueta, S.B. How animé conquered the world. (September 20, 2010). Philippine Daily Inquirer. Retrieved from: http://lifestyle.inquirer.net/artsandbooks/artsandbooks/view/20100920-293216/How-anim-conquered-the-world (archived).

Created September 21, 2010. Last updated November 27, 2024.
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Christina Hendricks on Anne of Green Gables

I love finding mentions of Anne Shirley and L.M. Montgomery's Anne of Green Gables in interviews. Here’s my most recent find.

Christina Hendricks is an actress and model who stars as Joan Holloway on the television series Mad Men. The show is a period drama about a fictional advertising agency set in the 1960s. Christina Hendricks’s talent and striking beauty have made Joan Holloway a favorite on the show. In May of this year, in a poll of female readers, Hendricks was named Esquire’s sexist woman of the year.

This July, prior to the debut of the fourth season of Mad Men, Leslie Gornstein interviewed Christina Hendricks for the Los Angeles Times Magazine. It was a great interview, in which Gornstein asked Hendricks about Joan and Mad Men, her playing the accordion, her seeing Tom Waits perform and once dining with him and his wife, her three-episode role on Firefly, and her appearances in several music videos. She also spoke about finding red carpet gowns, dressing in retro costumes, and the Joan Holloway Barbie doll.

Best of all (for me, at least), Leslie Gornstein asked Christina Hendricks about how she began dying her hair red:

You’ve said you started dying your blond hair red at age 10. How exactly did you sell that choice to your folks?
They did it to me! I was obsessed with the Canadian novel Anne of Green Gables. I decided I was Anne of Green Gables. There was something that spoke to me about her, and I wanted to have her beautiful red hair. So my mother said, “Let’s just go to the drugstore and get one of those cover-the-gray rinses!” My hair was very blond at the time, but it went carrot red. And I was over the moon. I went to school the next day and felt like myself. And then I went back [to that color] over and over again. What a cool mom, right?

I think we can all agree that Christina Hendricks’s Mom was super cool for supporting her daughter’s obsession with Anne of Green Gables. And I adore Christina Hendricks’s red hair.

Reference:
Gornstein, Leslie. (2010, July) Past Perfect Christina Hendricks. Los Angeles Times Magazine. Originally retrieved from: https://www.latimesmagazine.com/2010/07/christina-hendricks.html (presently, dead link). Archived at: https://web.archive.org/web/20101227122133/https://www.latimesmagazine.com/2010/07/christina-hendricks.html

Image credits:
Left: Photograph of Christina Hendricks by Joshua Jordan with styling by Hayley Atkin from "Past Perfect Christina Hendricks", Los Angeles Times Magazine, published July 2010.
Right: Screen capture of Megan Follows as Anne Shirley in Anne of Green Gables: The Sequel © Sullivan Entertainment.

Created July 6, 2010. Last updated September 4, 2023.
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