The Anne of Green Gables Manuscript Digital Exhibition

Today, a digital exhibition launched called "The Anne of Green Gables Manuscript: L.M. Montgomery and the Creation of Anne" that features a digitized version of L.M. Montgomery's original handwritten manuscript for Anne of Green Gables. Fans of Anne of Green Gables can explore the text to see L.M. Montgomery's writing process and analyze how she developed the story.

Check out the exhibit at: annemanuscript.ca

---

Here's the press release for the exhibit by the Confederation Centre of the Arts:

January 19, 2023 – For the first time ever, L.M. Montgomery’s original manuscript of Anne of Green Gables is available to readers everywhere through a new digital exhibition.

The Anne of Green Gables Manuscript: L.M. Montgomery and the Creation of Anne officially launched online today. The digital exhibition will allow people to explore Montgomery’s original text, see what was written on the back of pages, and find out how famous moments were developed or revised. The interactive website includes never-before-seen material, such as Montgomery’s publishing contract for the novel.

“Visitors can pore over every pen stroke – there are bits of short story drafts and heavily scratched out passages that just beg for one to zoom in. We have also added hundreds of photo and video annotations to learn from,” says Dr. Emily Woster, an L.M. Montgomery scholar who curated the exhibition. “This is a celebration of Montgomery’s creative process, and we invite scholars and fans alike to explore the site and trace the origins of Anne.”

The high-quality digitization of the manuscript gives visitors a unique opportunity to learn about the author and Prince Edward Island, and reflect on Anne’s legacy in print, on screen, and on stage – including the nearly 60-year history of Anne of Green Gables–The Musical™ at The Charlottetown Festival.

The digital exhibition is presented by Confederation Centre of the Arts, the University of Prince Edward Island’s Robertson Library and L.M. Montgomery Institute, and developed with funding from the Digital Museums Canada investment program. The Digital Museums Canada investment program helps build digital capacity in Canadian museums and heritage organizations and gives Canadians unique access to diverse stories and experiences. Digital Museums Canada is managed by the Canadian Museum of History, with the financial support of the Government of Canada.

The history of the novel dates back to the summer of 1905, when Montgomery began writing Anne’s story in the kitchen of her home in Cavendish. The classic novel is beloved the world over, inspiring millions of readers in over 40 languages. The original manuscript resides in the archives at the Confederation Centre Art Gallery in Charlottetown, and only a lucky few have been able to see it or study it in person.

“This important project will vastly increase access to the manuscript, generating new understanding and appreciation of the novel’s beginnings and of its author,” says L.M. Montgomery Institute chair Dr. Philip Smith. “The digitization by the expert staff at UPEI’s Robertson Library will allow enthusiasts around the world to discover Montgomery’s creativity in interactive ways not previously available.”

The digital exhibition is available in English and French and can be viewed online at annemanuscript.ca.


Official Site:
The Anne of Green Gables Manuscript: L.M. Montgomery and the Creation of Anne

Image Credit:
Image from The Anne of Green Gables Manuscript: L.M. Montgomery and the Creation of Anne.

Reference:
New digital exhibition explores Anne of Green Gables manuscript. Confederation Centre of the Arts. Retrieved from: https://confederationcentre.com/news/digital-exhibition-anne-manuscript/. (January 19, 2023).

Created January 19, 2023.
© worldofanneshirley.com

Anne of Green Gables — The Musical Will No Longer Be Performed Annually in Charlottetown

On November 24, 2022, the Confederation Centre of the Arts announced in a press release that Anne of Green Gables — The Musical would no longer be staged annually in Charlottetown, but instead once every two years. The production will return to the stage in 2024 in commemoration of the 150th birthday of L.M. Montgomery.

The press release states, "Confederation Centre of the Arts is delighted to announce the extension and expansion to its agreement with the show’s rights holders. Starting in 2024, Anne of Green Gables–The Musical™ will be playing on the mainstage every two years (biennially) coinciding with the 150th birthday of Lucy Maud Montgomery. The production ran annually for over fifty years from 1965-2019 and was presented in 2022 after a brief hiatus due to COVID-related challenges."

The announcement was met with concern about how the decision may affect tourism on Prince Edward Island.

Image Credit:
Promotional photograph for Anne of Green Gables — The Musical from the Confederation Centre of the Arts website.

References:
Anne of Green Gables–The Musical™ to return to The Charlottetown Festival in 2024. (November 24, 2022). Confederation Centre of the Arts. Retrieved from: https://confederationcentre.com/anne-of-green-gables-the-musical-to-return-to-the-charlottetown-festival-in-2024/.

Austen, Ian. (December 3, 2022). After Half a Century, Prince Edward Island’s Musical Tradition Takes a Break. The New York Times. Retrieved from: https://www.nytimes.com/2022/12/03/world/canada/prince-edward-island-musical.html.

P.E.I.'s long-running 'Anne of Green Gables — The Musical' no longer an annual event. (November 24, 2022). The Canadian Press. Retrieved from: https://www.thecanadianpressnews.ca/entertainment/p-e-i-s-long-running-anne-of-green-gables-the-musical-no-longer-an/article_fc3d2ee5-929c-5b2f-88fe-96129abda91f.html.


Created November 28, 2022. Last updated December 3, 2022.
© worldofanneshirley.com

Children and Childhoods in L.M. Montgomery

Children and Childhoods in L.M. Montgomery: Continuing Conversations was published by McGill-Queen’s University Press in October 2022. This book of scholarship explores L.M. Montgomery's portrayals of childhood in her writing. It was edited by Rita Bode, Lesley D. Clement, E. Holly Pike and Margaret Steffler. The volume contains contributions by Kate Scarth, Lesley D. Clement, Rita Bode, Margaret Steffler, Bonnie J. Tulloch, E. Holly Pike, Åsa Warnqvist, Heidi A. Lawrence, William V. Thompson, Yoshiko Akamatsu, Balaka Basu, Laura M. Robinson, Vappu Kannas, Holly Cinnamon, Rosalee Peppard Lockyer, and Kit Pearson.

Here is the description of the volume from McGill-Queen’s University Press:

From Jane Austen to contemporary fanfiction and adaptations, literary portrayals of the child and imaginings of childhood are particularly telling indicators of cultural values and when they shift.

Inspired by the responsive reading practices of L.M. Montgomery herself, those demonstrated by her characters, and those of her diverse readership, Children and Childhoods in L.M. Montgomery works with concepts of confluence, based on organic, non-linear readings of texts across time and space. Such readings reconsider views of childhood and children by challenging power hierarchies and inequities found in approaches that privilege more linear readings of literary influence. While acknowledging differences between childhood and adulthood, contributors emphasize kinship between child and adult as well as between past and present selves and use both scholarly approaches and creative reimagining to explore how the boundaries between different stages of life are blurred in Montgomery’s writing.

Children and Childhoods in L.M. Montgomery addresses Montgomery’s challenges to prescribed assumptions about childhood while positioning her novels as essential texts in twenty-first-century literary, childhood, and youth studies. Contributors include Yoshiko Akamatsu (Notre Dame Seishin University), Balaka Basu (UNC Charlotte), Rita Bode (Trent University), Holly Cinnamon, Lesley D. Clement, Vappu Kannas, Heidi Lawrence (University of Glasgow), Kit Pearson, Rosalee Peppard Lockyer, E. Holly Pike, Laura Robinson (Acadia University), Kate Scarth (UPEI), Margaret Steffler (Trent University), William Thompson (MacEwan University), Bonnie Tulloch (UBC), Åsa Warnqvist (Swedish Institute for Children’s Books).

Reviews

“By presenting Montgomery’s fiction as conversing with past and present creative writers, contributors provide a helpful focal point within the broad framework of the collection, extending prior conceptual understandings of the cultural role of reading.” Irene Gammel, author of Looking for Anne: How Lucy Maud Montgomery Dreamed Up a Literary Classic

“This collection [is] valuable and [a rarity] in academic literary studies. It is a book both for scholars and for the “Maud Squad.” Historical Studies in Education/Revue d’histoire de l’éducation

The book includes the following content and essays:

Introduction by Lesley D. Clement, with assistance from Rita Bode, E. Holly Pike, and Margaret Steffler

Part One: Conversing with the Past: Vulnerability, Resistance, and Resilience

1. Emily of New Moon and Fanny of Mansfield Park: Childhood at Home in Jane Austen and L.M. Montgomery by Kate Scarth
2. L.M. Montgomery’s Precocious Children: Resisting Adult Narratives of Death, Dying, and the Afterlife by Lesley D. Clement
3. Vulnerable Situations: Boys and Boyhood in the Emily Books by Rita Bode

Part Two: Conversing with the Present: Fantasy, the Ideal, and the Real

4. The Performance of the Beautiful Dream Boy in Novels by L.M. Montgomery and Frances Hodgson Burnett by Margaret Steffler
5. Lost Boys and Lost Girls: The Kindred Offspring of J.M. Barrie and L.M. Montgomery by Bonnie J. Tulloch
6. Magic for Marigold, Childhood, and Fiction by E. Holly Pike

Part Three: Continuing Literary Conversations: Transformative Relationships and Spaces

7. Loving, Larking, and Lying: Free-Spirited Children and Disciplinary Adults in the Works of L.M. Montgomery and Astrid Lindgren by Åsa Warnqvist
8. Absent Fathers: Conversations between L.M. Montgomery and Madeleine L’Engle by Heidi A. Lawrence
9. Transformative Girlhood and Twenty-First-Century Girldom in L.M. Montgomery’s Anne of Green Gables by William V. Thompson

Part Four: Continuing Transmediated Conversations: Anime, Fanfiction, and Television Adaptations

10. The Problems and Possibilities Inherent in Adaptation: Emily of New Moon and Emily, Girl of the Wind by Yoshiko Akamatsu
11. Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu
12. Anne with an Edge: CBC-Netflix’s Rereading of Montgomery’s Anne of Green Gables by Laura M. Robinson

AFTERWORDS

Preface to the Afterwords by Lesley D. Clement and Margaret Steffler

Emily Kent - The Afterlife of Emily of New Moon by Vappu Kannas
Anne’s Nature by Holly Cinnamon
My Maud by Katie Maurice by Rosalee Peppard Lockyer
Dear Maud by Kit Pearson


Image credit:
Book cover of Children and Childhoods in L.M. Montgomery from McGill-Queen’s University Press.

Purchase and read Children and Childhoods in L.M. Montgomery:

Created November 27, 2022. Last updated June 12, 2024.
© worldofanneshirley.com

Even in grey November...

"Spring would come back even in grey November and her poor, cold, dead, little heart would beat again."
-L.M. Montgomery
A Tangled Web

Read more quotes by L.M. Montgomery.

Image credit:
Photograph by World of Anne Shirley.

Purchase and read A Tangled Web:



Created November 22, 2022. Last updated April 19, 2024.
© worldofanneshirley.com

Green Gables House, Prince Edward Island National Park Playing Cards

Today, I found another fun gift idea for an Anne of Green Gables fan. It's a pack of 52 playing cards featuring the Anne of Green Gables House at Prince Edward Island National Park. Do you think Marilla Cuthbert and Rachel Lynde would play a game of gin rummy with these cards, or would Rachel disapprove?

Created November 15, 2022.
© worldofanneshirley.com

Anne of Green Gables Watercolor Print and Quote

Here's a lovely gift idea for an Anne of Green Gables fan. It's a pretty fall watercolor print by the artist Lane Martin with a quote by L.M. Montgomery from Anne of Green Gables. You can customize your order to be printed on different types of paper or canvas in a variety of sizes (8 x 10", 11 x 14" or 18 x 24"). Several framing choices are available for the print too.

Created November 14, 2022. Last updated April 19, 2024.
© worldofanneshirley.com

The Winter Wind by L.M. Montgomery

In January 1904, L.M. Montgomery published the poem "The Winter Wind" in The Farm Journal, a journal devoted to the farm, orchard, garden, poultry and household economy. The journal's motto was "Practical not Fancy Farming."

Here is a digitized image of the poem scanned from microfilm available at Archive.org:


Here is the full text of the poem:

THE WINTER WIND
BY L. M. MONTGOMERY

I am the gladdest of winds that blow
Though I come from the realms of ice and snow.

I waken the notes of the pine tree lyres
When the sunset kindles its crimson fires.

I dance over meadows and valleys white
In the sparkling frost of a winter night.

I croon a song that is low and sweet
When the dawn creeps out on her silver feet.

I nip and pinch with a right good will
The children’s cheeks on the coasting hill.

I sting to action the hearts of those
I meet on my way from the Northland snows.

Laughter rings when I whistle by,
For a right good, rollicking wind am I.


Reference:
Montgomery, L.M. (1904, January). The Winter Wind. The Farm Journal. 28(1): 1. Retrieved from: https://archive.org/details/sim_farm-journal_1904-01_28_1/mode/2up

Created November 12, 2022.
© worldofanneshirley.com

November had been a vexing month

"But November had been a vexing month all through...one day glorious...the next day savage."
-L.M. Montgomery
Mistress Pat

Read more quotes by L.M. Montgomery.

Image credit:
Photograph by World of Anne Shirley.

Purchase and read the Pat of Silver Bush series:



Created November 5, 2022. Last updated April 19, 2024.
© worldofanneshirley.com