A heartwarming holiday picture book inspired by L.M. Montgomery's beloved classic Anne of Green Gables.
It's Christmas in Avonlea, and Anne is thankful for so many things: feathery frosts and silvery seas, and wreaths as round as the moon. But most of all, she's thankful for her kindred spirits, including Marilla and Matthew Cuthbert, who adopted her, and her bosom friend Diana. But Anne is distracted this holiday by having to recite at the upcoming Christmas concert. And she feels bad that her kindred spirits give her so much during the year when she has very little to give in return. Can Anne overcome her jitters and make her kindred spirits proud -- and also think of a way to show her appreciation for the people she loves?
With magical illustrations and a heartfelt message, this festive picture book is the perfect holiday read for Anne fans old and new and a joyous way to celebrate the season.
L.M. Montgomery and Gender was published in November 2021 by McGill-Queen’s University Press. This book of scholarship examines how
L.M. Montgomery challenged gender constructions and gender roles in her writing. It was edited by Laura M. Robinson and E. Holly Pike. The volume contains contributions by Kazuko Sakuma, Lesley D. Clement, Ashley N. Reese, Bonnie J. Tulloch, Mavis Reimer, Rebecca J. Thompson, E. Holly Pike, Wanda Campbell, Vappu Kannas, Catherine Clark, Carole Gerson, Christina Hitchcock, Kiera Ball, Heather Ladd, Erin Spring, Jane Urquhart, Tara K. Parmiter, and Elizabeth Rollins Epperly.
Here is the description of the volume from McGill-Queen’s University Press:
The celebrated author of Anne of Green Gables and Emily of New Moon receives much-deserved additional consideration in L.M. Montgomery and Gender. Nineteen contributors take a variety of critical and theoretical positions, from historical analyses of the White Feather campaign and discussions of adoption to medical discourses of death and disease, explorations of Montgomery’s use of humour, and the author’s rewriting of masculinist traditions.
The essays span Montgomery’s writing, exploring her famous Anne and Emily books as well as her short fiction, her comic journal composed with her friend Nora Lefurgey, and less-studied novels such as Magic for Marigold and The Blue Castle. Dividing the chapters into five sections - on masculinities and femininities, domestic space, humour, intertexts, and being in time - L.M. Montgomery and Gender addresses the degree to which Montgomery’s work engages and exposes, reflects and challenges the gender roles around her, underscoring how her writing has shaped future representations of gender.
Of interest to historians, feminists, gender scholars, scholars of literature, and Montgomery enthusiasts, this wide-ranging collection builds on the depth of current scholarship in its approach to the complexity of gender in the works of one of Canada’s best-loved authors.
In 1908, after Anne of Green Gables was published, the novel was reviewed by The New York Times Book Review. The book was harshly reviewed by an anonymous reviewer who said the character Anne Shirley, “greatly marred a story that had in it quaint and charming possibilities.”
Personally, one of the first words I think of in describing Anne Shirley is "charming." It's a bit sad that the reviewer missed out on Anne's charms, don't you think?
In 1924, bylines were required for the The New York Times Book Review, and reviewers had less freedom to be callous because they were no longer anonymous. Read more about the unsympathetic reviews written anonymously for The New York Times Book Review prior to 1924 in "When the Book Review Went Really Harsh" by Tina Jordan published in The New York Times on August 27, 2021.
